By Carl Begai
In 2014, Sanctuary fans celebrated when the legendary metal outfit made their four year reunion official with the release in The Year The Sun Died. The music was distinctly Sanctuary courtesy of guitarist Lenny Rutledge’s style, albeit fatter and heavier thanks to modern day production values, but some people were put off by the absence of frontman Warrel Dane’s – formerly of Nevermore – signature ’80s high end vocals and assorted shrieks. It was an unfair criticism given Sanctuary’s classic albums Refuge Denied and Into The Mirror Black were released in 1988 and 1990 respectively – the man’s voice had simply aged with him – and it certainly wasn’t enough to halt the band’s forward momentum. Work is building slowly for a follow-up, tentatively titled Dead Again, but in the meantime Sanctuary fans can feast on Inception. Dubbed a prequel to Refuge Denied, the record features remixed and remastered demo recordings from 1986 that were all but forgotten until Rutledge stumbled across them by accident.
“I didn’t realize they were stored where they were stored,” Rutledge says in what has become a well worn story by this point. “I did some recordings of other bands in the mid-’90s, so I would find miscellaneous tapes here and there; they weren’t stored in any organized fashion. I’d forgotten about the Sanctuary tapes. I have a two-storey barn and the top floor is all messed up, it leaks, there are squirrels and birds up there… it’s just like a barn on any property. The lower part was converted into a studio, which is really nice, so going upstairs you’re in a completely different world (laughs). I happened to be up there looking for some stuff and I came across the box that had those particular Sanctuary tapes in it. It was a surprise to find them, and to find them in the condition they were in. My heart kinda sank because those tapes had been up there for 15 years, and when I discovered them I was sure I made a big mistake by not keeping track of them.” Continue Reading
By Carl Begai
Nevermore has been a regular and welcome guest in the house that Metal Tim Henderson built pretty much since BW&BK’s inception. More often than not, vocalist Warrel Dane has been the one to step up (or be lured into) spending time talking music and related chaos with the BraveWords family, and we’ve never come away from a conversation with the man disappointed. Over the past 20 years the question of a Sanctuary reunion has been raised repeatedly, more as our running joke for the past decade given that every metal mag big and small poked Dane and bassist Jim Sheppard with questions abour resurrecting their former band. Dane maintained he was dead set against the idea, saying people should be happy with Refuge Denied (’87) and Into The Mirror Black (’89), but he changed his tune in 2010 revealing Sanctuary would release a new album featuring most of the original line-up. Four years and a handful of reunion shows later, main songwriters Dane and guitarist Lenny Rutledge have made good on their threat with The Year The Sun Died.
Dane: “We don’t like to call it a reunion; we refer to it as a re-invention (laughs).This record doesn’t sound like the first record, and I think it may be a bit closer to Into The Mirror Black. Kind of like the brother or sister to the Mirror Black record with bigger hooks.”
Given Dane’s long-standing resistance to even entertaining a Sanctuary reunion, Nevermore’s (supposed) demise in 2011 made for one hell of a push to follow through with it. He doesn’t officially acknowledge it as a factor, and it turns out there were other forces at work in putting Sanctuary back together. One of them was actor and Tenacious D mastermind Jack Black.
Rutledge: “One of the things was getting an offer to use one of our songs in a game called Brutal Legend. That got us talking a lot and we discussed the possibility of maybe getting together, doing some shows and having some fun with it. We did that and we discovered the chemistry was still there. I had a couple songs in my back pocket that I was holding on to for what I thought would be for Warrel some day, never really knowing if we would actually get together. We started working on these songs and it was like being back in the ’80s. That chemistry started to develop again and we ran with it.” Continue Reading