STORM FORCE – Breaking Down The Barricades

By Carl Begai

Love it or hate it, it’s an undeniable fact that so-called ’80s hair metal is alive and well in 2020. Never mind the LA strip bands that are trekking around on “reunion” tours – often consisting of two original members and three guys conscripted from the local laundromat – living off their glory day catalogues; there are up-and-coming bands in all corners of the world trying to make their mark with that distinctive ’80s rock sound. And many are succeeding. Canadian rockers Storm Force are one example, having released their debut album Age Of Fear at the beginning of the year and receiving critical acclaim from the European and UK press in particular. Not an easy task considering Europe is where most of these bands originate nowadays, but something about the record has garnered Storm Force serious attention and it’s not guitarist / founder Greg Fraser’s Brighton Rock past. Sure, folks that lived through Brighton Rock’s commercial success in the ’80s with two sign-of-the-times albums (Young, Wild And Free and Take A Deep Breath) will zero in on it as a talking point, but Age Of Fear stands on its own as a solid rock album that people are happy to dub “old school ’80s hair metal.”

“It was about three year in the making, just kinda chipping away at it,” Fraser says of Age Of Fear, having been out of the limelight for several years. “Sometime I wondered if it was ever going to be finished because we’ve got different things going on, but once we got the deal (with Escape Music) it put things into overdrive. We wanted the record to be finished before we started shopping around but it didn’t happen that way, which is kind of a good thing because it could have been another year before the record was done.”

“Any kid that’s 20 years-old today, they’re never going to buy a CD in their lifetime,” he adds. “It’s the people in their 30s, 40s, 50s and older that are willing to buy 10 songs all at once. Kids today… one song at a time and that’s all they need. I’m still old school. If I hear a song I like, I wanna know where the rest of the songs are (laughs). The fact I have a label (Escape Music) that’s willing to print CDs is amazing, because that’s the only way you can make any money off of any product. You can’t make anything off of streaming.”

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STORM FORCE – Age Of Fear

By Carl Begai

In their heyday, Canadian ’80s rock heroes Brighton Rock were branded as fluffy counterparts to their American hair band brethren thanks to big label boardroom decisions that saw ballads “Can’t Wait For The Night” and “One More Try” shoved front and center. No surprise there, as that was the sign of the times (see Warrant’s sappy breakthrough, “Heaven”), but it was a huge disservice to the bulk of Brighton Rock’s material, which was often heavier than expected. While the band remains semi-active, guitarist Greg Fraser chose to launch Storm Force and string together a 10-song celebration of feelgood in-your-face hair metal / rock in the spirit of classic Ozzy Osbourne, Mötley Crüe, Whitesnake, Dio, Ratt, and every other classic ’80s-era band that captured your imagination and made you pick up air guitar or sing into a hair brush for the first time.

Following the line scratched with Brighton Rock’s 1991 album, Love Machine, Fraser’s riffs are meat-on-the-bone heavy yet compact, the songs straight to the point and not legging a ton of “additional” keyboards / layered clutter. Lead single “Because Of You” is instantly infectious as only ’80s hair metal anthems can be, followed up by the standout title track that features one of Fraser’s heaviest guitar riffs (and best songs) to date. “Breathe” takes things in a different and darker direction, led by bass and drums, and featuring guest vocals by one Serena Pryne who comes off as a young Sass Jordan. “Dirty Vegas”, “Ride Like Hell” and “Marshall Law” are groove heavy, more rock than metallic, with balls by the ton. The country-esque “More Than You Know” is grudgingly enjoyable (don’t tell my metal friends), while full-on ballad “Different Roads”…. I’ll leave that for the soccer moms and bake sale dads that still love their cassette collections. Closing track “Ringside”, on the other hand, ends things with a satisfying amount of shred recalling the work of guitar lord Jake E. Lee.

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