By Carl Begai
Finnish bashers Nightwish recently wrapped up the European leg of their ongoing Imaginaerum tour, which will continue for the forseeable future given the impact of the band’s latest album and the forthcoming Imaginaerum-based movie. Prior to one of the final gigs of the European jaunt, keyboardist/found Tuomas Holopainen sat down to discuss the success of the new record and the state of the band.
Last time out Nightwish had unenviable task of promoting their Dark Passion Play album while continuing to defend their decision to bring vocalist Anette Olzon into the fold in 2007 as a replacement for Tarja Turunen. The band had been expecting the inevitable shitstorm long before they hit the road for the album – fan opinion regarding Olzon was widely divided upon Dark Passion Play’s release – but the negativity and tension endured over two years took its toll. Upon meeting Holopainen for this chat it’s immediately clear the strife from the previous tour is a thing of the past. Perhaps the only thing plaguing Nightwish at this point is a collective lack of sleep.
“It’s so much more relaxed, we’re so much more confident because we know that the people know what to expect,” says Holopainen. “They’re coming to see a show, not to judge the ‘new’ vocalist. It’s been so much more relaxed, easygoing and fun.”
YouTube is one public forum offering a resounding show of support for Olzon, who has definitely improved in her role as the band’s voice. Sure, there are the expected debates of whether or not she holds a candle to Turunen, but the fans that stuck around after Dark Passion Play are quick to defend Olzon nowadays and quite vocal about her having cemented a place in Nightwish. Continue reading NIGHTWISH – A Scaretale For Storytime
By Carl Begai
The long awaited Nightwish follow-up to Dark Passion Play from 2007, Imaginaerum, is a masterpiece. The greatest thing since the creation of fire. Grander the invention of the wheel. A tour de force that has pushed the power metal and classical music scenes to learn French and admit they have no clue what “bombastic” really means. A showcase of musical genius that has composer John Williams considering changing his last name to Holopainen. Better than half-drunk pre-marital sex. So awesome they had to make a movie about/for/with it. Blah blah fucking blah add nausea…
Yes indeed, the media hack hype machine has been puckering up and kissing ass ever since the album was made accessible to the press, likely upping the sales of Chapstick by 200%. Only thing is, Imaginaerum is a bloody masterpiece, particularly if you’re a Nightwish fan that’s been able to see beyond Tarja Turunen’s cleavage.
If not for potential accusations of plagiarism, Nightwish could have gotten away with calling the album Tuomas In Wonderland. Spawned and nurtured by keyboardist / songwriter / founder Tuomas Holopainen, Imaginaerum is his full blown journey into the depths of fairytales and fantasy, something that’s been a here-and-there part of the Nightwish formula from album to album since the band’s inception. It earns the title “epic” before things are even a third done, the majority of the songs being a clear cut and necessary step up and away from Dark Passion Play on almost every count. Just how far one is willing to be yanked down Holopainen’s personal rabbit hole depends on how much time you’re willing to invest in a new, insanely ambitious, and occasionally bizarre take on a traditional soundtrack. Continue reading NIGHTWISH – Imaginaerum
By Carl Begai
Leaves’ Eyes vocalist Liv Kristine Espenæs Krull and I recently sat down to discuss her new solo album, Skintight. Towards the end of the interview (found here) I asked her for her thoughts on her former band Theatre Of Tragedy’s decision to call it quits after 17 years. Liv was an integral part of the band, and it’s fair to say they were one of the building blocks in my metal education. It’s sad to see them go, and I’m not the only one that thinks so.
“I received an invitation from the guys in Theatre Of Tragedy asking me if I wanted to make a guest appearance in Stavanger at their final gig on October 2nd,” Liv reveals. “I’ll be in the States on tour so there’s no way I can do it, which is a pity. My mother is going, though, and I’m still in touch with Raymond (Rohonyi / vocals) and Lorentz (Aspen / keyboards). We’ve talked about what happened between us and, well, it is what it is. You can’t change the past.”
“Without Theatre Of Tragedy I wouldn’t be where I am today. I learned a lot during those years. I founded the band with Raymond when I was 18 and we went on tour when I was 19. It was crazy, and what we learned and experienced in those years was fantastic. Continue reading LIV KRISTINE – When Velvet Darkness Falls